“The Ballad of the Snake and the Coyote” - Instrumental from “23rd & Union” score.
“King of the Sky” - 201 instrumental from Green Eyed Media Archives.
“What does it all mean?” - Instrumental from Green Eyed Media Archive using a guitar sample played by Green Eyed Media guitarist, Sloan (a.k.a. SOS).
“The Train Yards” - This song was produced for graduate school purposes and was also used in “The Blank Canvas” during the graffiti sequence.
“Tears of Seattle” - “Tears of Seattle” is the title track for “The Blank Canvas” score. It was produced using guitar samples provided by DJ Cam.
“Hendrix” - Song from the archives of Green Eyed Media. Inspired by the legacy of Jimi Hendrix in the Central District.
“This is Ours” - This was made with drum machines and Pro Tools. It is featured on the album “Basement Lounge: Vol. 1″.
“Rhythm and Blues” - This song was produced for graduate school purposes and was also used in “The Blank Canvas” during the fashion sequence.
“Blue Harmonics” -This was made with drum machines and Pro Tools. It is featured on our newest album “Basement Lounge”.
“Death (E)Scape” - This is the theme song for my experimental documentary “Death (E)Scape”.
“The Murker” - Instrumental version of Fabian Nunez Track
“The Reaper” - Instrumental version of Jose Angel Gutierrez Track.
“The Abstract” - Melodic Instrumental from Green Eyed Media Archive.
“Razorblade” - Dark Instrumental from Green Eyed Media Archive.
“Under the Sun” - Asian-inspired Instrumental from Green Eyed Media Archive.
“SoCo” - Blues-Inspired Instrumental from Green Eyed Media Archive.
“Space Odyssey” - Sci-Fi Instrumental from Green Eyed Media Archive.
“Money Is The Motivation” - Hip-Hop Club Instrumental from Green Eyed Media Archive.
“Drunk Cobra” - Instrumental from Green Eyed Media Archive.
"The Murker: Fabian Nuñez” - Menu music for “Jale” DVD. This song is a call for social action by Brown Beret leader Fabian Nuñez.
“The Reaper: José Angel Gutiérrez” - Credit music for “Jale”. This song is a testimony to the rage and dissatisfaction that Chicanos and Mexicans feel towards the United States due to their status as second-class citizens in their own homeland.
“The Heartbeat” - Audio Art narrative about a drug dealer being chased by the police. The track was created to accompany a moving image and has been extended for a longer chase scene.
“Shaken Memory” - Audio Art narrative created by Rafael Flores exploring his childhood memory of the famous Loma Prieta earthquake of 1989 in Palo Alto, California. The track was created to express a traumatic recollection and represent the process of memory through sound. This project attempts to utilize eight speakers to conceptualize the layered process of an earthquake memory by slowly adding ambient noises on all sides and amplifying bass frequencies. A secondary audio plot is added to the ambiance that strictly explores Rafael’s memory of his mother attempting to rip his sister out from her baby swing. The mother runs into a field and is subsequently surrounded in chaos. Slowly the audio elements dwindle down to the most memorable sounds of the experience.
“Trick or Treat: The Wilhelm Scream” - This project was submitted as a assignment for the DX Arts program at the University of Washington. The assignment was to simply incorporate the infamous Wilhelm Scream into a piece of audio art. “Trick or Treat” also attempts to comment on the biased nature of politics and art criticism that excludes Hip-Hop as legitimate art form.
